From a critical point, that regards the productions of La baie onirique, in the italian musical journal
"CD Classica" of December 1999: Magnificent work of equilibrium between acoustic and electronic instruments, with a vast canvas of resonance that seem to emanate from every part of outer space……………In Nous deux dans la baie onirique, instead Michael Berth utilizes a display of electronic instruments that fuse in a most natural way with acoustic instruments- flute, oboe, clarinet, harp, piano e guitar – to give form and colour to his unique oniric world.......................... Atmosphère délirante... prompts the original concept of “delirio" with abandonment of any natural form:
The sound springs from darkness in evenly splendour, in the end, it melts, after an explosive efflorescence and the fragrance of an exotic flower and the colours of northern spring. The work of Berth has a refined epigraph on all musical culture, and at the same time an original seduction of a dream of unbroken emotions. (Bermont Records BR 111)